|
|  | PHOTOGALLERY |  |
|
|
|
|
ENIGMA REV2.0
MULTIFUNCTION AUDIO UNIT

Audio Analogue goes on in its research to solve the enigma: “Is possible to create a multifunction audio unit, what is also called an “all in one system”, with a so high sound quality to be compared to the best audiophile systems?”
With Enigma Rev2.0 the answer is yes!
The audio chain design started choosing a new Vacuum Tube Preamplifier section based on the Rossini CD Player REV2.0 output stage that gave us surprising results. Then all the parts have been matched to the preamplifier stage. Important changes have been implemented in every part, but especially in the power stage and DAC section. The audio quality resulting is astonishing!
The Enigma Rev2.0 has a new more essential design with a line input on the front to be connected to a line output of a MP3 Player such as the iPod to meet the increasing interest in that kind of audio sources even in the High-End field. Also a Monout output has been added to connect a active subwoofer and a completely very efficient new software has been implemented.
Enigma Rev.2.0 solve the enigma. It is a unique product because for sure on the market there are not “all-in-one” systems with similar audio quality. We can absolutely assert that Enigma Rev2.0 for its sound can be well compared with even higher expensive true High-end systems.
|
|
|
|
Which are the main differences between the Enigma REV2.0 and the previous one?
Audio Performances (for further details see the introduction document at the link: http://www.audioanalogue.com/Download/EnigmaREV2.0Intro(Eng).pdf):
• New Preamp Section: the new Enigma Rev2.0 has really better audio quality compared to the previous one (both on the listening tests and technical tests, see the technical data for further details) and that is due mainly to the new Vacuum tube Preamplifier section. The new Pre-amp has been designed developing the Rossini CD Player Vacuum Tube output stage which shown to be astonishing musical. The stage has been modified to be used like a preamplifier stage further increasing the audio quality of the circuit
• New Digital to analog section: the Enigma REV2.0 has a new improved DA section based on a Burr Brown 192KHz/24bit Enhanced Multilevel sigma Delta DAC.
• Power stage: the new preamp section has remarkably improved the bass response of the product so we have tuned the power stage to improve the bass response capability of the power stage.
Input/Output connections:
• Mono Out: the Enigma REV2.0 has a mono output to directly drive an active subwoofer
• Front In: the Enigma REV2.0 has a Line Input placed on the front panel to be easily connect to the Line output of an MP3 Player such as an iPod for example
Control: (see the user manual for details)
• No Pre StandBy: the previous revision had a pre standby procedure to let the vacuum tube get cold before the unit were switched on. The Enigma Rev2.0 doesn't have any pre standby procedure, and after the cable is plugged in and the main switch in the rear panels is turned off it is immediately ready to be switched on.
• Reduced Vacuum Tube heating time: in the new Enigma revision the vacuum tube power supply is different and because of that not only the pre standby has been eliminated but also the vacuum tube heating time has been reduced to 15 seconds only!
• Auto Play/Volume recall function: these function have been implemented to permit the user to automatically play a source with a particular audio level. That's say you have just to turn on the unit and after some seconds you will listen the music with no needs to send any command! In other words get into your home switch on the Enigma go in the bedroom to take off your shoes and the Enigma is playing! (see the user manual for details)
• Selectable volume scale: it is possible to select the volume scale of the unit to have the best match with the used loudspeakers (see the user manual at page for details)
• Balance function
Design
• New front design to move the light on the product, let the light run on the whole front and create the illusion of a product composed by two ones. The upper part has been lighten reducing the number of switches, and the silkscreens have been placed to balance the vacuum tube window.
• New front grey background display with better contrast and brightness.
|
1 - TOP PCB
The TOP PCB is mounted on the TEAC CD-5010A CD mechanism. This mechanism is CD ROM based, which has been developed by TEAC specifically for audio applications. The staff at R&D Audio Analogue has contributed to the development of this component by performing the mechanical tests. In the CD-5010A the spin speed has been chosen to decrease the mechanical vibration to make the reading procedure stronger and reduce the jitter too. On the TOP PCB there are: the control digital circuits, their power supplies and the following analogue parts: Input selection, Volume control, DAC section, Vacuum tube Preamplifier, MonoOut section and the respective power supplies. On this board there is also the tuner module connector on which the power supply, the control signals and the audio signals are carried. The analogue and control digital circuits have been designed to be partitioned as much as possible to avoid any undesired interference between the parts. The digital and analogue grounds are obviously separated and even the control signals are transferred from the controller to the analogue parts via optoisolators. The analogue and digital grounds are separately brought to the single unit Earth point via a resistor as to reduce earth noise problems and earth interference. |
2 - System Control – Digital Power Supplies
The entire unit is controlled by a microcontroller based architecture where a Bus structure has been added because of the large number of control signals required. To have the best isolation between the analogue and digital parts, optoisolators are used to carry the control signals to the analogue parts. The microcontroller has been placed into the centre of the board to reduce the overall track distances in any direction (especially for the CD Mechanism control signals) and in such a way reduce the probabilities of irradiation and interference. The digital power supply is made from a dedicated secondary stage and all the digital power supply is placed as far as possible from the lowest level sensitive analogue parts. |
3 - Vacuum tube preamplifier section
The preamplifier circuit is based on the Rossini CD Player Rev2.0 vacuum tube output stage that has performed very well thanks to its electrical characteristics and audio musicality. The circuit has been designed by the Audio Analogue R&D office to emphisize the sound properties of the vacuum tube and to take advantage of the solid state technology. The vacuum tube is the first phase in an inedited DC coupled low feedback three stage structure. The amount of feedback has been choosen not only on the basis of measurements but also on the basis of listening tests too. What we have tried to do is strike a balance between the vacuum tube “coloring” and solid state “cleanliness”. To use this circuit as Enigma’s preamplifier section we have modified it to increase the maximum allowed input signal voltage and the bandwidth. The preamp section with its low output resistence directly drive the power amp stage. |
4 - Anodic power supplies
The vacuum tube preamp stage that we have used is not based on a differential input so the noise on the anodic supply is not reduced by the circuit itself. That is why we have worked on the anodic power supply to make it as clean as possible. The voltage for the anodic power supply is obtained by a high voltage dedicated secondary and then regulated with a voltage regulator made of discrete components. The regulator output is then filtered by a RC filter with a very low time constant (less then 1.24!). At the end no interference between 100Hz is visible on the pre output frequency spectrum. The voltage supplies of the two channels are also separately bypassed to enlarge the listening stage. |
5 - Input selection, Volume control, MonoOut section, Phones Out Secion
These parts are all realized with SMD components to take advantage of all available space and reduce the Track’s length. Every Integrated power supply has been bypassed using high quality capacitors for high frequency efficient bypassing (see the “distributed” high quality “Red” Wima Capacitors on the board…). The volume control is bufferless for the best sound transparency. We have used low noise and low distortion input selector circuits. All the signals to different sections have been arranged to eliminate any loading effects between the stages. These parts have their power supply coming from a separated secondary stage which is used also to implement the Tuner module supply and the preregulated DAC section Power supplies. |
6 - Dac section
The new DAC PCB use a Burr Brown 24-bit, 192KHz, Enhanced multi level Delta Sigma DAC and a low jitter recovered system clock (50pS!), 96KHz, 24 bit Receiver also from Burr Brown. The DAC Section is realized on a separated board to avoid any unwanted interference due to high frequency digital signals. The power supplies for the receiver and the DAC are taken from the regulated voltages of the TOP PCB and are stabilized “in loco” on the DAC PCB with a dedicated voltage regulator for each power supply. We have used a really high level performance overall conversion circuit, in fact we have reached a THD + N (with a 20Hz-20KHz noise filter) of less than 0.003% for a 0dB digital pure sinewave track. |
7 - Tuner Module
The Tuner Module used is a Sanyo technogy based one with electronic tuning and a AM/FM PLL Frequency Synthesizer capable of matching all the AM and FM frequency range used in the various countries. The tuner Module is shielded and keep separated to all the other parts of the unit, the audio signals are low pass filtered as they arrive on the TOP PCB to block every radiofrequency component. |
8 - Power Amp Supply and Power Amp
On the bottom PCB placed in the rear part of the unit there are the power amps and their power supply. The power amplifier stages are based on the National Semiconductors integrated component LM3886 which has been used in a lot of audiophile quality audio equipment (such as the Jeff Rowland Concentra Integrated Amplifier). That component is a very reliable one with a lot of inner integrated protections which work with no interference to the sound quality. The LM3886 is protected against over-current and short-circuits and has two different temperature protection systems, one based on the average temperature and the other sensing the immediate temperature. The frequency response of the power stage has been matched with the Preamplifier circuit so we have added a lot of capacitance to supply a good charge reserve and have the correct low frequency response while we have increased the high frequency band limit to not damage the high frequency performance of the preamplifier. The reserve capacitors have been placed close to the power stages for a more efficient charge exchange. There are as much as 15000µF on either the positive or negative power supply for a total of 30000µF, just for the power stages! The control signals from the TOP PCB to the Power stages as for the TOP PCB are passed through optoisolators to leave the analogue and digital grounds separated. |
Parameter |
Value |
|
|
|
|
Dimensions (Nota1) |
4,9 x 8,3 x 15,7 " |
|
|
|
|
Weight |
20,5 Lbs |
|
|
|
|
Integrated Amplifier |
|
|
|
|
|
Vacuum Tube Preamp Stage |
|
|
|
|
|
THD+N (10W, 8Ohm 1KHz) (Nota6) |
< 0,010 % |
|
|
|
|
THD+N (50W, 8Ohm 1KHz) (Nota6) |
< 0,017 % |
|
|
|
|
Frequency Response (Nota2) |
> 110 KHz |
|
|
|
|
Noise level (Nota5) |
-100 dBV |
|
|
|
|
Signal Noise Ratio (SNR) (Nota3) |
98 dB (A Weighting) |
|
|
|
|
Output Power (Nota4) |
50W / 8Ohm p.c. |
|
|
|
|
CD Player |
|
|
|
|
|
CD Mechanism TEAC CD-5010A |
|
|
|
|
|
DAC |
Burr Brown Enh.Multi Sigma Delta |
|
|
|
|
Receiver |
Burr Brown DIR9001 |
|
|
|
|
THD+N @ 1KHz 0dBFs (Nota7) |
< 0,03% |
|
|
|
|
THD+N @ 1KHz -10dBFs (Nota8) |
< 0,009% |
|
|
|
|
Dynamic range (Nota9) |
97 dB |
|
|
|
|
TUNER |
|
|
|
|
|
Signal/Noise Ratio FM |
60 dB min |
|
|
|
|
Signal/Noise Ratio AM |
40 dB min |
|
|
|
|
2 Line Inputs rear and 1 Line Inpunt on the front panel + Mono Out |
|
|
|
|
|
Notes: Nota 1 - Height x Width x Depth (H x W x D) Nota 2 - Attenuation 0dB, -3dB Band Nota 3 - Attenuation: 0dB A weighted reffered to 8 Ohm load nominal power Nota 4 - 1KHz input signal, two piloted channels Nota 5 - Band limits 0Hz-40KHz Nota 6 - Band limits 0Hz-22KHz Nota 7 - Band limits: 0HZ-22KHz, the measurement ahs been performed on the loudspeakers output with a 8Ohm load, audio source: CD Player, audio signal: 1KHz@0dBFs, Preamplifier attenuation 0dB. Nota 8 - Band limits: 0HZ-22KHz, the measurement has been performed on the loudspeakers output with a 8Ohm load, audio source: CD Player, audio signal: 1KHz@-10dBFs, Preamplifier attenuation 0dB. Nota 9 - Band limits: 0HZ-22KHz, the measurement has been performed on the loudspeakers output with a 8Ohm load, audio source: CD Player, audio signal: 1KHz@-60dBFs, Preamplifier attenuation 0dB
|